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The four routes to rosé

Direct press, short maceration, saignée and blending — what each does to colour, structure and purpose.

The short answer

Rosé is made by direct pressing, by a short maceration, by bleeding juice off a red fermentation, or — for sparkling wine, where it is permitted — by blending red wine into white. Each gives a different colour and a different structural result.

Overview

Colour depth is a consequence of method and intention, not a quality signal, and the pale Provençal style became dominant through fashion rather than through merit.

The methods are not equally common: short maceration accounts for most serious still rosé, and saignée is as much a red-wine decision as a rosé one.

Step by step

  1. 1 Direct pressing

    Black grapes pressed immediately, taking up only the colour extracted during pressing itself. Gives the palest wines, and the fruit is grown and picked specifically for rosé.

  2. 2 Short maceration

    Juice held on skins for a few hours to a day before being drawn off. The most controllable method and the most widely used for wines made as rosé from the outset.

  3. 3 Saignée

    Bleeding a proportion of juice off a red fermentation, concentrating what remains. The rosé is a by-product, and it typically shows more colour and more structure than a purpose-made one.

  4. 4 Blending

    Adding red wine to white. Prohibited for still rosé in the EU; permitted for sparkling, and a normal and long-established way of making rosé Champagne.

What people get wrong

1 widely repeated claim this page corrects.

Sources

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